Episode 1 of Austin Abstract Artists Podcast with David Lamplugh check it out!
It has been a long time since I updated. Mostly due to moving from one place to another and an art consulting gig that has taken up my time. Anyway, Here is the newest work, Hell or High Water. I am planning a series of what I call meta portraits on films that have influenced me through the worlds they create. The first on is based on the 2016 film Hell or High Water. Of special note are the bas relief gilt frames. I’m starting a series of formal experiments to see how far stencil texturization can go before it swamps my painting style and becomes gawwwwwdawful!
This is the beginning of a smaller compliment to Defensive Postures. I don’t know how many pictures of drones there are on the internet, but we are fix in’ to find out. This Cape Weaver picture was irresistible for it’s lighting. I ended up taking the flower pic myself, mostly because it was difficult to find a flower shot with a big old squarish shadow on it.
Swooping in from out of state, hardly see when I began to hate, save the country from uncertain fate, to see one and all what it means: Great!
Shiny, Shiny, Shiny. I’m having fun with this new off shoot of Defensive Postures. Which is strange, because thinking about the illogically couched logical conclusions of the series makes me sad. The titling of this piece was in reference to video games. You yourself escape, you also complete somebodies business plan. the act of getting away powers the machine. In other news, on my vacation I went to Dick’s Classic Garage in San Marcos, Texas and the San Antonio Zoo. Loaded up on Pics.
These paintings are all 18×36, a very comfortable size for me. I’m using the same organizing principals as the other Defensive Postures work, but instead of using pictures of used cars, I am collecting old helicopter pics. I became interested in doing a series of game birds because of the illustrations in a bird book a co-worker was perusing. The golden spiral arrangement of the feather patterns and the born to die nature of game birds were a factor.
This painting is a massive redux. I removed a kimonoed figure and replaced it with a giant tiger head. This necessitated working a lot bigger than I was used to, but I like the results.
My third sushi print is still available at Guzu Gallery. Go buy it, Won’t yoooooou?
My 3rd Sushi chart print went on sale online today. Thanks to Vince Torres for putting me in the show and Christopher Piccinich for posting the photo essay I shot for the show.